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Interview with Karl Ingar Røys after his exhibition Burmese Days at John Jones Project Space


Karl Ingar Røys constructs a narrative of chase and capture in Caminata Nocturna that in presenting itself as cinema verite documentary plays with it´s own status as the fiction of a fiction.


While Orwell echoes through Røys’ Burmese Days, the film installation is much more concerned with social conflict from the perspective of politically engaged Burmese cultural producers in the present.

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